American Religion in Long Days Journey into Night Essay -- Long Days

American Religion in Long eld Journey into Night The modernist sentiments throughout Long Days Journey into Night, by Eugene ONeill, are apparent in many different ways. Among the methods he apply was the portrayal of Americas withdrawal from traditional religion and modes of behavior. He used his immigrant Irish family, the Tyrones, as a pedestal for this idea by highlighting their pass from traditional Irish beliefs and their struggle to form new, uniquely American, ones. ONeill did this by repeatedly evoking a drastic difference between his characters conduct and their Irish Catholic counterparts. He replaced the main tenets of the Catholic faith, communion and confession, with entirely new ones. objet dart the Tyrone family was busy forging new American spirituality, the author was bringing about the birth of truly American drama. The Tyrone family made the choice to renounce their grizzly ties and form new ones, with differing amounts of success. This me ant a severing from the Catholic faith community, deviation a social void that they tried to fill with drugs and money. James Tyrone, the father, exchange himself out early on when he opted to act for money kinda that for the sake of art. His sons Jamie and Edmond also turned away from the Church by shrouding their lives in alcohol and whores. Lastly, their mother Mary Tyrone had effectively excommunicated herself by marrying a disreputable thespian and turning to morphine to solve her problems. I am not certain(p) if in the end their gods matched up to their ... ...w chosen religion, no longer an Irishman except an American. The day was a journey from of external versus internal spirituality still also of internal versus external influence on American house. By using themes of immigration and social integration, ONeill broke away from European theater influence and created an entirely new class of theater American. And while he borrowed ideas from the Greek and Shakespearean theater, he combined them with a new context of use and audience to form an entirely new art form. Just as the Tyrones could never fully cave in behind Ireland, ONeill could not entirely leave behind Europe. Instead, the author and his characters took their existing belief/theater structure and adapted it to a new country, while making it their own.